MARC’S REVIEW – A Star Is Born (2018)

Bradley Cooper produces, directs and co-writes himself with Lady Gaga in the fourth iteration of “A Star Is Born.” They will go down as the hottest screen couple of October, 2018, but not much beyond that.

The chemistry is maybe there between the two stars but I won’t say it’s very electrifying. Individually, I really liked what each of their performances offered. Together? Meh. At times when they are in a scene it almost looks like they are not paying attention to one another; as if they aren’t listening for their cues. Oddly enough, Sam Elliott and Cooper have terrific chemistry as brothers. They truly look and sound like they came from the same cloth. Same with GaGa and Andrew Dice Clay as her father (a welcome surprise; I wish he had more material). The scenes with GaGa and Cooper however don’t measure up.

Cooper directs outstanding musical performances of himself and especially GaGa, though I’d argue she relieved some of the pressure with her experienced talents. Her first concert introduction is show stopping; that note she hits stays with you. Her final performance is just as effective and reminiscent of the legendary status Whitney Houston made for herself in “The Bodyguard.”

Cooper’s directorial debut absolutely must be commended. The concert set pieces are especially authentic. However, the film is too long. For a simple and familiar story, 2 hours and 15 minutes is a bit much. A small appearance by Dave Chappelle as Cooper’s friend is wasted and pointless. He shows up an hour into the film, does a quick scene and then he’s never mentioned again. Definitely a scene worthy of the cutting room floor.

Lady Gaga has wonderful moments especially at the very end and during the first half of the film. The 2nd act is by no means her fault but when her stardom blossoms, I didn’t care for the image of a what seemed like a 2nd rate Miley Cyrus. I would have preferred something more sophisticated like Celine Dion, Adele, or heck even a Lady GaGa. The artificial orange/red hair is a major distraction. I couldn’t help but get fixated on this car accident of an hairdo and not on the performance. A poor choice.

It’s a good film. Not great. Some songs are memorable. Some are very forgettable. I think Bradley Cooper did a fine directing job more or less. I just hope he gets a little better.

Click on the image to preorder!


  1. And now for the rebuttal…

    I think the two of them had TERRIFIC chemistry, although it’s a different KIND of chemistry. There are no fireworks like there are between, say, Pitt and Jolie in “Mr. & Mrs. Smith” or Grant and Hepburn in “The Philadelphia Story”. Their chemistry is a charcoal flame, well-tended, with occasional splashes of lighter fluid where the story requires it.


    • I WASN’T DONE…

      Regarding the story material, I would have to agree that the well-worn arc of her character pandering to the masses by becoming a pop superstar at the expense of her roots, at the urging of a greedy corporate producer, is a little trite. Not ALL pop music is disposable, so the blanket statement the film makes is a tad disingenuous. BUT…it’s an important milestone for the film as a whole, so I bought into it and rode with it.

      If anything, the movie REALLY slows down when Cooper’s character checks into rehab. Maybe it’s unavoidable, but it does contain an important nugget of information during a conversation he was with his mentor at the clinic. So, again, it’s necessary.

      I don’t often buy into melodrama as much as I did with this movie. I had heard the hype and was prepared to be underwhelmed. I was SO wrong.


  2. I just watched this over the weekend and was also a bit underwhelmed. I did like them both and thought the chemistry was there as I enjoyed when they were together onscreen. But once she started her pop star journey was when I became confused. I was struggling with what storyline was the focus. Were we watching her rise to stardom or watching his fall? The intent was a little fuzzy to me and might be why the second half is not as good.
    Definitely a good first directing job by Bradley though. He was snubbed today. I should say this film could get best pic because of that but I think things will calm down and another will gain some traction before the Oscars.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s